Once Old, Now New Again

Remakes. Yes, the most contested movies in all of moviedom. A lot of people online just love to hate them. They whine, moan, complain, harass people who are excited for them, and frankly can't resist speaking up every single time one or even the thought of one is mentioned. Except for the fanatic insistences and blind hatred I say good on them for sticking to their guns. As we looked at last time out people complain if a movie is similar to a previous one and isn't a remake so there's really no winning. Except... there is one remake that almost no one complains about. That would be John Carpenter's The Thing (1982). Whether you like it--and its distasteful subject matter--or not Wes Craven's acclaimed first outing The Last House on the Left (1972) is pretty much a remake of The Virgin Spring (1960)--apparently the Virgin Spring's scriptwriter based it off of a ballad of all things. Craven himself cites the Virgin Spring, though some debate if that truly makes a remake.

Within remakes there is another subdivision called the reboot. All reboots are remakes, but not all remakes are reboots. To start, a reboot denotes a franchise, meaning a movie with sequels. While there are close remakes and loose remakes--The Thing and Last House on the Left are varying degrees of loose--reboots tend to change something within the story. Again the significance of the change varies. A prime example of a reboot is the remake of Friday the 13th (2009). Its first significant change is that it revolves around Jason, whereas the original first Friday the 13th movie did not. Other than Jason there are next to no other characters from the original film. There aren't even camp councillors. In contrast the remake of Nightmare on Elm Street (2010) while different in several aspects does not feel like a reboot despite the different additional characters. It added elements to the original, but not in a way that changed anything.

The adding of elements and expanding upon the ideas in the original is what makes for a great remake. A perfect example is the remake of The Hills Have Eyes (2006). It takes most of the original and then adds to it immensely, and in a way that feels natural. It also modernises the story without actually changing the timeframe (at least as far as I noticed). What it did was make more sense in the story's end, and as a good remake does it removed traits from the film that didn't age well and would make it dated. On the other hand it seemed like some of the addition was very close to a different unrelated horror movie, which itself borrowed from something else altogether. Another great remake that adds to the original is the remake of The Amityville Horror (2005). What it added to the film was in some parts new and in others elements present in the original novel that did not make it into the first film. I think this Amityville is the best remake of the new millennium yet.

Mood: stoic.
Music: Big Man With A Gun by Nine Inch Nails and (Ghost) Riders In The Sky by Me First And The Gimme Gimmes.

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The White-Trash King

*** Disclaimer: The following in no way means to disparage the people of lower class income or who live in certain kinds of homes. It is specifically about the character of some people and speaks to the common and likely even stereotypical view of such groups of individuals. ***

Let’s talk about Rob Zombie again. Specifically I want to talk about how sometimes I jokingly refer to him as the White-Trash King. I mean no disrespect in this, in fact quite the opposite. If you want down and dirty, trailer trash--with or without the trailer--lowbrow, low rent, it must be both trying and fun to be around these people, kind of characters then Zombie is your man. I mean wow. I am in awe and more than a little jealous. I feel way too clean cut and, take your pick, suburban or rural to get the kind of grasp on these kinds of characters like Zombie does. You can have your opinion as to why he has this grasp, but that's none of my business, and I'm here about other things. Now, let me give you a little background and viewing history.

I've had an influx of Rob Zombie watching over the last couple of months. I had liked "House of 1000 Corpses" from the moment the end credits rolled despite some of its obvious flaws. It took me quite a while to get around to "The Devil's Rejects" and I was floored. It was amazing. What a huge leap forward in directing--and the other aspects of the filmmaking process were also up to that standard. Then we have Zombie's "Halloween" remake. I like it. I've only seen the director's cut--go unrated discs. It really puts me in mind of the original's director cut in that it seems to carry on quite a while. The thing is that it is interesting if you are in the mood. Since I recently saw Rejects I also finally got my hands on "Halloween II"--again director's cut and unrated. Let's start with the bad news--I'll be brief, the review will be elsewhere. It has it's problems--again that will be elsewhere (sorry).

Back to the characters. These trashy characters aren't just everything I described in the first paragraph. Those people aren't all that bad. There is a subset among them though, that you might say are equal in roughness, more kindly unpolishedness perhaps, morally as they are in the more obvious attributes. This more rotten core will stab you as soon as look at you, smack their kids and spouses around (yes, by no means limited to the trash demographic), and attack the authorities when they come to take away their right to be beaten. As with any group, the two kinds mix freely making it harder to spot the villains, and adding complexity to dealing with them for both the author and any characters from the outside. Now, with this look at these types of characters in hand, we can take a look at how they affect the horror in any given story or movie.

Mood: daring.
Music: Deep Unknown by Stratovarius and These Colours Don't Run by Iron Maiden.

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13 Nights of Hallowe'en 2010: Night #10 The Amityville Horror (2005)

As Hallowe'en draws near and the movies become about bigger, more spectacular, and more infamous hauntings on film. The AmityvilleHorror is probably the most talked about haunting on this continent popularised by the novel, original movie with several sequels, and now this recent remake. Scott Kosar wrote this Amityville Horror screenplay--also The Texas Chain Saw Massacre and The Crazies remakes. Amityville is one of the Platinum Dunes remakes. It stars Ryan Reynolds, and Melissa George who you may remember from Turistas and 30 Days of Night. They buy a house that is priced within their means because the previous family was murdered in it. Notable playing the role of one of Melissa's boys is Jesse James who definitely stood out in The Butterfly Effect. The priest in this remake is played by Philip Baker Hall from Lost Souls.

There is one scene in this movie that I want nothing more than to tell you about, but it would be such a spoiler. I almost hate tomention that it involves the character played by Rachel Nichols from the short-lived TV show The Inside, also from 2005, and a year later the movie The Woods. As a remake this movie draws comparison to the original, and a certain amount of ire. I'm a fan of this and the original. This one does it's own thing in some cases. It involves some aspects that are hinted at in the novel that weren't an issue in the original movie. It drops some aspects and scenes from both progenitors. Some of the changes could be interesting to see pursued in a sequel, though I have not heard anything about a sequel to this movie. You can save it for another night, but I thought the commentary track did a good job of explaining some parts that seemed a bit random.

Mood: excitable.

Music: This House is Haunted by Alice Cooper. MP3s

13 Nights of Hallowe'en 2010: Night #7 House on Haunted Hill (1999)

We're at around the halfway mark now. Tonight I give you the remake of House on Haunted Hill. A group of people are invited to ahaunted house and offered a lot of money to spend he entire night. I have to tell you I felt severely let down by the original, even thought it had Vincent Price in it. This remake isn't without its flaws, but I still think it is a great remake and it's a movie I like to re-watch. For one thing it is jam packed with nameable actors and actresses. Let's start with Geoffrey Rush as the tongue-in-cheek named Stephen H. Price. Then there's Famke Janssen as his wife. There's a bit part for musician Lisa Loeb and the one and only James Marsters from Buffy the Vampire Slayer. Taye Diggs is in it as a party invitee along with Ali Larter--from Final Destination 1 and 2, among other things. Then we have la pièce de resistance, Jeffrey Combs, man of horror.

William Malone directed this House on Haunted Hill, as well as fear dot com, and Parasomnia--all three of which have Combs in them, which sure says something to me. Robb White wrote the original House on Haunted Hill and the original Thir13een Ghosts, and The Tingler for William Castle. Dick Beebe wrote the new Haunted Hill screenplay, as well as wrote on Book of Shadows: Blair Witch 2. It's quite the collection of horror people that was all made possible by Dark Castle Entertainment. One of my favourite little things in this movie is the basement area with the Honoré Fragonard-style flayed cadaver art. In general it's cool that the house used to be a psychiatric institute, and that is something that gets even more coverage in the sequel--which is available paired with this film in the sales link above. Go now, and enjoy!

Mood: cheery.

Music: Haunted by Evanescence. MP3s

13 Nights of Hallowe'en 2010: Night #3 The Fog (2005)

It's Thursday and our movie is the 2005 remake of The Fog. The first question you must be asking is why the remake? Don’t get mewrong, the original is classic John Carpenter, but it was so random overall. As far as storyline goes I prefer this remake with its solid back-story to explain the ghosts. It has a little bit of randomness and of course a modern aesthetic, but Carpenter himself seemed congenial to the film in the extras, so what the hey. The remake stars Tom Welling from Smallville and his love interest is Maggie Grace from Lost. The iconic radio host played by Adrienne Barbeau in the original is now played by Selma Blair from Hellboy and seems much more peripheral to the story. The director, Rupert Wainwright, also directed Stigmata and the episode "Echoes" of the TV horror series Fear Itself.

Remakes are a touchy subject, but I'm always of the mind that a movie should be watched on its own merits. Not on the original version, not on previous movies in a franchise, not even in comparison to other work by the same director. When it comes to discussing them it's okay to compare, but I don't think a strict comparison is fair either, something softer is required. Reviews on the other hand fit in with watching. The best remakes don't either try to outdo the original or just copy it; they go their own direction. That's why I like this The Fog too and why it's here. Now about the actual fog. It looks great here, but it doesn't exactly get the same importance. I don't know if it has more screen time or not, but it wasn't as powerful a point of tension. It's kind of like the radio host, there, has its place, but isn't the show runner it could have been.

Mood: obscure.

Music: Fear Of The Dark by Iron Maiden. MP3s

13 Nights of Halloween: Night #10: Dark Water

Tonight's movie is the original Japanese version of the movie "Dark
Water". I picked it over the American remake only because I've seen the original and not the remake. I fully intend to see the remake because Jennifer Connelly is in it. That isn't really here or there though. The version of "Dark Water" I saw, was I must say not only the Japanese, but it was actually dubbed in English. Yeah I know, I should be that last one to watch a dub, but I did in this case since I wasn’t the one who rented it and had final say. As far as dubs go I have little to nothing to complain about it, other than of course a dub is never actually any better than the subtitled version.

I think I should start with a bit of vetting. I've seen only a small handful of Japanese horror movies outside of horror, and horror-inspired anime--those that have monsters, ghosts, etc, but are focused on other elements like action, comedy, or drama. I've seen the original Japanese version of "Ringu", and the American remake "The Ring". I've seen only "The Grudge" remake with Sarah Michelle Gellar and not the original as yet. Out of the three, Ring, Grudge, and Dark Water well you're reading about the one I picked. This one as far as I'm concerned is the creepiest and has the strongest horror of the pack. I can only imagine that watching it subtitled is even better.

Mood: excited.
Music: Halloween Theme by John Carpenter.