Witnesses or Lack Thereof For Hauntings

Most people when they have to deal with a haunting can simply spend a day or night away from the haunted location. They can even move out and leave it behind forever. What happens when you are the one haunted and the disturbances occur wherever you go? That was the situation I hinted at last week. Since then I see two different scenarios. In one the haunting manifests itself physically and anyone may witness it. In the second only the person who is haunted sees the ghost. The physical scenario may have an apparition or not and the ghost seer's ghost may affect physical objects or not. There are a lot of options these open up for a character and its growth. With either scenario the haunted person is in for a terrible time and the haunting will take its toll. Each scenario has its advantages though.

A haunting involving moving objects that can be witnessed by anyone is likely the more desirable of the two scenarios, if there is anything to be desired about the situation at all. It has the benefit of being verifiable by some at least. There may still be the ridicule of the uninitiated until they are affected by it directly. The degree of directness is variable and can be, in all cases, either finding objects moved when there was no one around to move them, or out of reach and no evidence of trickery to be found, up to actually seeing the object in transit. The disadvantage of course is that objects become misplaced, the phenomena seriously freaks people out, and it can be a case where people are injured by the haunting. The frequency and insistence can really wear on the subject of the haunting, and no amount of frustration, anger, or curses will dissuade a persistent poltergeist.

People who are the only ones to see an apparition can hold themselves together and keep it a secret with a little practice. That in and of itself is a benefit to these kinds of occurrences, if they can pull it off. That is as long as there is no physical component to the haunting otherwise it is much as above except for the addition of the visual manifestation. There are the usual cliché responses to seeing a ghost that others do not see such as seeming crazy for reacting or worse interacting with nothing there. The ghost may be friendly or it may be wicked either in line with or at odds with its appearance. It's sudden appearance and activities may be just as dangerous as objects flying around. Consider the ghost appearing with a menacing shout at the top of the stairs or appearing in the middle of the road while driving. At least additional witnesses to a physical assault can step in and lend a hand.

Mood: driven.
Music: Timelessness by Fear Factory and Basket Case by Green Day.

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Be Brave with Your Fear

Did you ever want to tell the story after the story, but you decided that you couldn't because beginning at that point requires an emotional investment in the characters from the audience for it to mean anything to them? Did you ever want to have an event in your story that seems arbitrary, but has a good reason behind it, it's just that you can't tell it too early or you will spoil it? Did you ever want to tell a story in chronological order, but you couldn't because no one would stick with it long enough for the right things to happen to make for a great pay off later on? Did you ever want to tell a very subtle story, but it was just too much effort to build in everything to grab and keep audience and not leave the subtlety lost in the clutter? There are a dozen more questions like this that can be asked. There are dozens of variations on each and every one of them.

Some of these scenarios have resolutions. They can be conquered. The first question is do you want to surmount the obstacle? Sometimes the question is are you brave enough to embark on such a challenge? Will you stick with it or give in when the pressure becomes too much? The worst pressure may come from within. Just like last week I'm asking you to consider what happens when we break from script and do something different rather the same old thing--whether the same old thing is bad in the first place, or especially if it does work already. It's one thing to jettison a failed idea, to not repeat bad execution, but what if the thing are you looking to replace always works, gets certain people going, and ultimately is what will definitely sell to some fraction of the desired audience? You might ask who am I to do these things. I may be the one to do them or not, but I am here advocating them to others.

Are you going to do such a thing now? Be brave; be bold. If you are telling your stories and getting them in front of people, no matter how many or few, then you are already one of the brave. Look at the positives. Turn negatives around into positives. Think big even if you're doing it by thinking small. Bring the excitement whenever you can, as hard as you can. Go now and be the object of fear--not the recipient--tell your stories. Remember to scare them silly and leave them panting for more. I'll leave you to it.

Mood: invigorated.
Music: You Took The Words Right Out Of My Mouth (Hot Summer Night) by Meat Loaf and Brave New World by Iron Maiden.

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