Wednesday, January 26, 2011

To A Creepy New Year in 2011

Hello and welcome to the New Year of Horror on Hump Day! It's been a long hiatus, though maybe not the longest I've taken. Publishing a horror magazine will do that, even at the length of Killing Time - Horror E-Rag. It's become something of a tradition to look back and then look forward. Let us begin.

Looking back I am immediately struck by the recent posts about movies and television both before and after Hallowe'en's thirteen blogs. Both by the number and the ideas I hoped to express about them. There was even some motivational material, because honestly with all the negativity out there about the genre and its failings someone has to get on topic, push forward, and try to be a force of change.

To some degree it's a sad state of affairs that it has to be me, but really who better? I've always been trying to push for better horror, and painting the way as a consumer. Some could ask, who am I tell to anyone how to make something better? The answer is, I'm someone who enjoys horror so much I had to become a creator. Even that much commitment isn't necessary. All it takes is a passion for the material, the movies, the books, the games, the tropes, the feelings, the whole shebang.

The look back became the look forward. Might as well continue mixing it up. The past year I talked about a setting with witches, and more pertinent to the discussion witch hunters. It's kind of funny because I recently saw the animated video for "American Witch" NSFW by Rob Zombie, which seemed to me to be a companion piece to the "Lords of Salem" NSFW video, which I had seen significantly longer ago. The Lords video is very evocative of just how frightening the Witch Hunter General and his closest men are, to not only the common man, but also to even the blackest hearted witch.

I intend to look at some more settings. Like early in 2010 I also intend to look at horror from a RPGer's perspective because what is a pen and paper RPG for the person running the sessions (known as the Game Master among other names), a position akin to director on a movie set and at the same time scriptwriter--if both of those only worked with or wrote the minor characters and the setting/sets. I'm re-explaining this both for new readers and because there's been some recent controversy, but that's not something I intend to get into here. Beyond that, I never know what I'm going to write about until I start planning for the next week. Here's to new horrors and new looks at it.

Mood: stoked.
Music: American Witch by Rob Zombie and Werewolf Women Of The SS by Rob Zombie.

Rob Zombie: Educated Horses
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Rob Zombie: Hellbilly Deluxe 2
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Wednesday, July 28, 2010

Disconnected Series

Sometimes a story needs to be told over a length that is greater than feasible or in some manner desirable. Feasibility is quickly falling by the wayside when e-books can be of any length with no regard for spine width or holding the pages together. Desirability is a function of a few things. Cost asked for the book. The amount of time a reader is expected to stay with a story at any particular interval without seeking a change of pace. A similar need in the author either to write something different for a while or simply take a break. That author break may be researching something different later use, which doesn't break the fiction flow or feel of the current story while still giving the brain cells a chance to change gears. A series of books or stories starring the same main character(s) isn't the only kind of series. This sometimes feels like an idea that gets lost and or forgotten.

I've been thinking about this topic for the last little while because in the recent Killing Time - Horror E-Rag Issue 2-2 I released in PDF the first of my devil stories. It is titled "Toasty Warm" and so far is part of a trilogy where the only tie is that there are devils involved in the plot. Nothing else binds them. No repeat characters; not even the devils. So how is that a series? The stories are related. They are a part of the same vein of the same mythos--at least as I've done them. It's the same as they would be if they were a more coherent continuing series rather than a series in spirit or intent alone. I haven't put much more thought into the series since the conclusion of the third story. The time is appropriate to look at returning to the themes into which these stories play, what they are expressing about that corner of the mythos I wish to build, and should there be more.

The question is more what? The simple answer is that it may be time to look at pulling the strings together between these stories and bring some kind of greater coherence. This could be bringing out an overarching story that requires the previous parts--at least for the continued readership who has been witness to the events from start to newest finish--yet can stand on its own. Moving from disconnected to connected is not a given. It may not even be desirable. Sometimes trying to pull off the connection diminishes the feel that was previously held. It can weaken the strength born of their uniqueness. It may just be unfulfilling and have no bearing on the past. Either way it is a question that needs to be asked before embarking on such a goal. The rewards and the satisfaction are great if it can be pulled off though. It's something that requires a deft hand and good forethought.

Mood: reflective.
Music: Anthem of the World by Stratovarius and Sister of Pain by Vince Neil.

Stratovarius: Destiny
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Vince Neil: Exposed
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Wednesday, November 25, 2009

Killing Time and Open Wound Marketing

It's good to be back from hiatus after the onslaught of the thirteen nights in October, even if it is only for a couple of weeks before the next one for the December holiday season. I thought that I would start the new entries with some news. I've released the first issue of my magazine Killing Time - Horror E-Rag™ in the Battered Spleen Productions™ store. I have also opened the Market section of the store with items in the Swag section. The Market section is where I hope to have other authors and artists sell their wares. They will provide me an image, a link to the sales page, and the name of the store or site that is directly selling their product. An author selling copies of their own book from their own site would send me that info. I will not handle the sales or take a commission, only charge for the space in the market.

I will of course have final say if a product is accepted. I want to view the promotional material to see if it's of proper professional quality, if it's going to offend people, and other similar things with which I do not want to be associated. Books for instance that are available places like Amazon or Barnes & Noble will get higher priority only because they've been through most of the checks I'd be concerned with. So why would an author do that? Authors often get copies of their book to sell for much more profit directly in their pocket. Signed copies are common in these cases. So why place a product with Battered Spleen Productions? Promotion. Your product available with those of others. This provides more variety and a chance to pick up a sale.

I'll be honest, I'm not entirely sure of the cost for inclusion at this point. I'm thinking a flat fee per item. Perhaps it will be an annual fee. My initial thought is it would cost about as much as your average paperback book. The main page for the market will have a primary featured item and then a selection of varied items. I have the market broken into three sections. Swag is for shirts, mugs, mouse pads and other similar items. Books is for printed books, which can be horror, thriller, sci-fi, fantasy or other similar related genres. E-books is for e-books only--in the same categories as the printed books. I'd also be interested in role-playing game books or art books in the same genres. Each product will have its own description page or go directly to your sales page as desired.

What do you think? Are you interested? Comments?

Mood: excitable.
Music: Against the Wall by Quiet Riot and Phantom Limb by Tourniquet.

Quiet Riot: Alive and Well
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Tourniquet: Pathogenic Ocular Dissonance
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