Divergent Meanings

I would like to start with a little bit about what has happened during the hiatus I planned. I had every intention of starting the blogs back up in the middle of the month, after finding that the Battered Spleen Productions Knowledge Base coding work was taking longer than expected. Then when it came time to write the first article I was sick the entire week. So here we are now. Please accept my apologies.

Sometimes words are a losing battle. One word that gets a lot of bad press is stereotype. There are times that an idea is a stereotype not because it's an easy, and often incorrect assumption upon which to fall back, but because it is actually such a common occurrence. Other times it does suffer from bias and misinformation. Such biases and the flurry of reasoning and illogic, both at once in some cases, had been covered before the hiatus. Getting back to the losing battle, sometimes one of these stereotypes, when tied to a single word should maybe be considered a lost cause. When this happens there are essentially two options to consider. One is to use a different word altogether. The other is to accept, in the sense of ignore, the negative connotation.

Now, I in no way mean to malign anyone with this, or stir up trouble, or look down on anyone. Caveats and warnings like this usually are enough to cause confrontation, practically something of a tie in--in and of itself--to the themes being pursued in these Dark Corners. What I speak of is a word that has rather negative connotations to many and varied people, but at the same time strikes at, beyond the direct offensiveness of it, another group. The controversy over misappropriation of this word may even be to one degree or another misinformation itself. It may only be a piffling insult. It is hard to tell from the outside. Such is the nature of bias and ignorance. So, what is this contentious word that deserves such preamble? The word is witch.

To horror lovers everywhere witches are evil and vile people bent on vengeance, violence, depravity, and associating with all kinds of other evil. Witches though are also members of the Wiccan faith. Therein lies the problem. It might be inferred now that I would consider using the word witch in connection with the beliefs of Wicca's a lost cause. I am in no position to decide such a thing. The problem lies in using the wealth of horror mythology and material on evil or satanic witches. Some people take offence at putting the word evil in front of a group's name, like there is any group of any size that is 100% free of evil, no matter how much we wish to dismiss such people as not belonging to the group. However, doesn't that fly in the face all that has been discussed on twisting ideologies?

Mood:

Music: First Band on the Moon by Motley Crue and Back to Madness by Stratovarius.

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One Step Around the Corner

Creators of genre fiction do not deal with regular everyday reality.  For example, noir or westerns, both of which could be entirely rooted in the real, will not remain there entirely.  There is some shift to the side.  There are considerations for mood.  There are considerations for genre conventions.  There are even considerations for author bias.  Those biases can take the form of the political, patriotically cloaked, and bigoted type discussed last week.  They can be less inappropriate biases than those too.  Then there are the personal biases formed in the direction of enjoyment and excitement where the creator enhances certain aspects for a better story in keeping with their own wants and desires in entertainment.  The bias may also be theme or message related.

Bigoted bias need not be about race or religion.  Some biases are economic--the rich versus the poor.  Some are intelligence motivated--leaning toward the literati or the cognoscenti and away from the ignorant and uneducated.  Some, perhaps too many, are directly political within the same country--Republican versus Democrat, Liberal versus Conservative, Left versus Right.  There is also the one-sidedness and accompanying struggle between capitalism and socialism.  Any of these, singularly or in tandem, form the basis of numerable character archetypes.  In turn these characters confer their views onto the narrative.  This is true whether one or more of them provide the narrative voice or there is an unrelated narrator.  That is unless that narrator provides voice, comment, or contrast otherwise.

Here is where the bias may be purposeful within the narrative.  A story's theme, or the message it looks to convey to the audience, it's very raison d'etre, can exist to illustrate, shine a bright spotlight on the injustice of such a bias, or to perpetuate it. News media isn't the only place where an agenda is pushed by focusing on certain segments of an issue, or group.  Of course angling to create tension within, distort the worldview of, and otherwise negatively influence the audience is a despicable thing to do.  Doing it within the populace of the created fictional world though is an exciting proposition.  Doing it provides the structure upon which to foster enticing plots, character-developing dilemmas, and at the higher level of the audience to forward themes, morals, and message.

Mood: valiant.

Music: Dream Of Mirrors by Iron Maiden and The Gunslinger by Demons & Wizards.

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Now at Amazon.COM NOT CA. Buy these at Amazon.com Click Images to Buy

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