Unnatural Understandings and the Disparate Minds

When you have a setting with ghosts, poltergeists, and other paranormal goings-on in that vein, the next logical addition to the setting is people who investigate and or deal with such manifestations of the supernatural. There are essentially two types of groups who undertake these endeavours, though there is always the potential for overlap. There are those that take a scientific approach and those that take the metapsychical approach. Beyond, or aside, from the overlap of these two methodologies, is the conflict between the two, which can be further complicated by the deniers and debunkers of both. This of course ends with a messy four-way conflict, but therein lays some fun of its own.

Since you are beginning with a reality base that includes the paranormal as witness-able fact there should be at least the beginning of a scientific basis for understanding it, even if the real hard science answers will not be found for many years to come. The science need not be clear, or widely accepted, or even very useful, but it should be there. Where there is a need for understanding, there will be people to pursue it. They will come up with answers that work for them, eventually. The same can actually be said of the metaphysical adherents too, they will find answers in the fashion that suits them. Since this is a fictional setting they can be just as correct and valid as the science-types, and often will be far ahead of the curve because they simply embrace the rules they see rather than trying to understand them at a level beyond utility. They also do not necessarily seek a rationale or explanation.

Most of the scientific types will have commonly held beliefs about how the paranormal works. There can be some dissension, even some where groups have wildly divergent theories, but I would guess it is minimal. That said it is minimal in comparison to the myriad of occult system beliefs. There is no feeling of consensus behind these groups because they do not believe so firmly that there is only one reality. As soon as they witness the success of a group with a different belief they must admit there is more than one approach, which is unless they fall into the same category as the debunkers. Even though the metaphysic groups can see more than one method they too can believe their way is superior, or more morally true, or what have you that causes from polite disagreements up to vicious rivalries amongst them.

Mood: expressive.
Music: Satellite 15...The Final Frontier by Iron Maiden and Not A Dry Eye In The House by Meat Loaf.

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13 Nights of Hallowe'en 2010: Night #1 The Legend of Hell House

Hello and welcome to the first of the 13 Nights of Hallowe'en in 2010. Our first movie is The Legend of Hell House (1973). This is a hard one to pindown because there are other very similar movies, but this is the one based on the Richard Matheson novel of the same name and Matheson wrote the screenplay as well. A scientist--descriptions call him a physicist but essentially a parapsychologist--takes people to a supposedly haunted house to determine if there is life beyond death. A very popular plotline. So why this movie? Well for starters it's Matheson who brought us a lot of great novels and screenplays. Without spoiling anything this is a nicely atmospheric haunting movie. What I particularly like about it is the equipment Mr. Barrett uses in his investigation. The inclusion of Mrs. Barrett and what that adds is interesting as well.

It's easy to see what other movies the Hell House storyline has influenced. I won't go into most of them for the sake of those seeing this for the first time. It's not a direct comparison since he is not the psychic so I can tell you that I see Roddy McDowall's Benjamin Fischer as an influence on Matthew Lillard's Dennis Rafkin in Thir13en Ghosts. At the same time it's hard to deny the influence of Hell House on Stephen King's Rose Red. The film is considered a British horror movie despite Matheson's script. Most of it happens within the house so that doesn't really tie its location either. What is more telling about this production is that technology I mentioned before. While its purpose and inner makings might be timeless the outer design certainly wasn't. It was purely by happenstance that this first movie of the festivities is the oldest. Enjoy!

Mood: excited.

Music: Welcome To My Nightmare by Alice Cooper. MP3s

Subtle, Real Subtle... Actually No

I just watched the movie "Paranormal Activity" for the first time on Monday. It is a slow burning film with subtle horror for the most part, as far as horror movie goes. It is very inline with movies like "What Lies Beneath" as much it is similar to "The Blair Witch Project" and "Cloverfield" in their strict documentary style with less than stable camera shots (though P.A. is much smoother with the camera) and lack of soundtrack or score unless such sounds are rooted in the scene. After watching the movie I was struck with the idea for this Hump Day Horror. This mostly applies to movies but it could also be to used for novels and creating scenarios for role-playing games. Subtle is good, but sometimes, or rather there reaches a point where, it's time to take off the gloves and go for the blatant. It can be a fine balancing act to decide when and where to do either.

Looking through the discussions for a movie like Paranormal Activity at the different sites illustrates the vast differences between people expectation of what is scary. There is a disappointment with the scare levels, with, in essence, the film's reality as it pertains to how paranormal happenings occur. There is also the old incorrect stand-by that one person's preference overrides everyone else's. This is all a part of that balance in its own subtle ways, but isn't exactly my point. I was watching the movie and thinking how I like subtle, but I like it to pay off too. While I enjoy these slow little movies as I call them I like the in your face horrors more. That does not preclude subtle. This is especially true if the subtle parts stick with you and provides ongoing horror after the movie or book or game session is over.

The point is that subtle is fine, subtle is great. It's a needed part of good layering. It can bind action to themes. It can be a by-product of deep thinking peeking through, things only hinted at, hiding in the fringes of a subject matter. That is the way much of the world works and that approximation in fiction adds realism, grounds the fantastical, and as previously stated provides something to mull over, debate about and savour after the fact. The benefit of subtlety and layering is the strength it adds to a work upon repeat reading or viewing. It also widens the audience. Everyone gets something out of it. It's like the grown up or horror equivalent to animated comedies with obvious jokes for the children and the savvier, mature or more intellectual humour--or requiring foreknowledge such as with in-jokes--for the parents watching the feature with them.

Mood: bifurcated.
Music: Dragula by Rob Zombie and La Mer by Nine Inch Nails.

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13 Nights of Hallowe'en: Night #10 The St. Francisville Experiment

The selection of these thirteen movies has been
intentional and deliberate. This is not because they are all out there choices, or outré, or favourites, or even due to being special. They are films worth recommendation, and maybe to a degree a few of them are here because they get a bad rep. “The St. Francisville Experiment” requires some defending. It was saddled right away as a rip-off of “The Blair Witch Project” because of the ill-conceived title. “The St. Francisville Experiment” is about paranormal investigators like on “Ghost Hunters” or “Most Haunted”, which pay their dues back to “Sightings” in the early, early 90s. Even “Sightings” could owe back to “Poltergeist” with its engaging paranormal researchers for example. This is a movie about such researchers.

“The St. Francisville Experiment” is a non-comedic mockumentary, plain and simple. The documentary is an exploration of an infamously haunted mansion in St. Francisville, Louisiana. St. Francisville is, in all actuality, home of The Myrtles Plantation, one of America’s most haunted homes. Google it and see. There is some MST3K-worthy atrociously bad dialogue in this movie, but given some online conversations not necessarily unrealistically bad. The pace is a little slow for a movie, but it seems good for a documentary. Similar can be said about the minimal special effects and the plot. After all is said and done, when “The St. Francisville Experiment” gets rolling it is a pretty good horror pseudo-documentary. A little review reading even digs up people creeped out by it.

Mood: impressionable.
Music: Halloween by Aqua off of Aquarius.

13 Nights of Hallowe'en: Night #5 The Messengers

Tonight we have a movie that isn’t going to immediately
find comparison to something else based on just the title or a trailer. The movie is “The Messengers” directed by the Pang brothers. Oxide and Danny Pang are Hong Kong film creators responsible for the original “The Eye” and two sequels--a new one is schedules under someone else. Despite that, this movie does not appear to be a remake of any Hong Kong or other Asian film for that matter. This is immediately a good thing since that particular kind of remake is generally not more than just an alternate version, and subbed versions of the original are the preference amongst the English-speaking fans of the original films. This is also a good thing because it means it is the first run at the movie’s concept.

“The Messengers” is a haunted house story. The first thing anyone needs to know is in the lengthy movie tagline itself, “There is evidence to suggest that children are highly susceptible to paranormal phenomena. They see what adults cannot. ...” This idea is a common parapsychological tenet, though it does get a little lost in the movie, causing unnecessary confusion among some viewers as evinced by their comments about the film. The Solomon siblings are aware that their new house is haunted, but of course for their parents to understand this fact things will have to get pretty wild and crazy. One of the working titles for the film was “Scarecrow”, which explains some things. The crows are indicative of more than meets eye to anyone who knows what a psychopomp is.

Mood: relieved.
Music: Haunted by Evanescence of of Fallen.