Of Friends Not There

I was watching a video series of ghost stories told partly by a narrator and partly by witness interviews. One of those fine shows complete with creepy recreations and lots of mood inducing music. I think I had known about a couple of the cases. As often happens some of the cases involve families with children. In some of these tales, before the phenomena becomes too frightening and out of hand one parent, or both, will hear one of their young children talking to their new imaginary friend. Imaginary friends are a somewhat common experience in the grand scheme of parenting. At least we are led to believe this is true. I cannot say for certain if it is a reality. All children anthropomorphise their toys. They pretend that they have all sorts of adventures with those physical if inanimate friends. What then of those children that go the step further to a completely unreal playmate?

I never had an imaginary friend of the non-corporeal type. I wouldn't want to say it was due to any lack of imagination. Real was real and imaginary was imaginary, but still better with something you could hang onto. Not to mention a friend that would not steer you into doing wrong and getting in trouble, because with that foreknowledge that pretend was only pretend you knew you were responsible for what if anything you imagined any particular toy saying. Now, you know this isn't a parenting blog, and not even really a nostalgia blog. The first line today also tells you where this is going. The child will have given their imaginary friend a name, and they tell bits of this friend's history to anyone who will listen. What comes as a surprise to the parents is that often the imaginary friend is significantly older than the child. This is the first warning bell.

The ghostly phenomena will become more and more apparent. The parents fear will get worse and worse. It takes a lot though to push a family out of it's home because it is a massive financial burden otherwise and it effectively always has been. That means people will put up with a lot because the other option is to live on the street or have two mortgages until you can offload the haunted house on some other unsuspecting person. Remember, don't get publicity for having a haunted home then turn around and try to sell the house without disclosing the haunting or the law will get you. Invariably, in researching the house's history it will be discovered that a former occupant that died in the house has the exact name and details as the child's imaginary friend. Cue very natural and expected freak out...

Mood: relaxed
Music: Slick Black Cadillac by Quiet Riot and When The Wild Wind Blows by Iron Maiden.

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13 Nights of Hallowe'en 2010: Night #9 An American Haunting (director's cut)

Last night we had a pretty scary haunting movie. Well get ready for a much more impressive haunting. I won't mislead you, this is more of ahorror movie, which I think to a degree lessens the scares, but your mileage may vary. An American Haunting is loosely based on the real life haunting of John and Lucy Bell, played by Donald Sutherland and Sissy Spacek. The true story is one of the more infamous hauntings and fairly well documented given the time frame. The ghost was referred to as the Bell Witch. In 1819 General Jackson--yes later President Andrew Jackson--was even witness to the handiwork of the witch. Of course that isn't a part of the movie but wow, a U.S. president with an account of not only a ghost but a ghost witch. For reference as the title says I'm going with the director's cut. I cannot speak to the theatrical version.

Rounding out the cast is Rachel Hurd-Wood as the daughter Betsy Bell, and James D'Arcy who appeared in Exorcist: The Beginning (released just the year before)--that was the good prequel with the doctor and the hyenas--as the local schoolteacher. The general premise is that John Bell's house is haunted shortly after a land dispute with a woman considered by many to be a witch--FYI the witch woman had died before the real historical haunting. Betsy receives the worst of the torment from the very active ghost. The movie also opens and closes with scenes from the modern day. These scenes are a point of contention among some viewers. They are part of a small secondary plot added to the movie--at least I'd never heard it conjectured of the real story--which in itself sits unwell with some fans. I don't let it detract from the rest of this movie.

Just a final FYI, the real Bell Witch was frequently referred to as a poltergeist even though it spoke, among other vocal things, claimed the identity of the dead woman, and acted more intelligently, not to mention maliciously.

Mood: eager.

Music: Wake The Dead by Alice Cooper. MP3s

The Modern Witch Conspiracy

The surface has been brushed for period piece settings and stories with evil satanic witches. What though of the modern day? Has the ghastly horror witch gone the way of the dodo? The answer is a resounding no. They are certainly about and still practicing their nefarious ways. They do have their work cut out for them in some fashion though. Their brand of wickedness pales in comparison to the likes of serial killers, mass genocide in foreign lands--though honestly those kinds of atrocities have always gone on, if not as efficiently bloody as now--and the general moral slide of society with a total disregard for the value of courtesy, freedom, humanity and life not seen in centuries. Where then is the place for witch when the Adversary seems to be doing fine without lifting an apparent finger?

As with everything that slides into the present and looks to the future the ways and the wants of the witch have become more complex. Things are subtler now than ever. Part of it has as much to do with the witch hunters as it does the witches and their master. Staying covert went from a matter of privacy to one of downright survival. As would prove later to be beyond prescient the greatest lie the Devil ever told was that he did not exist. Thus too was it for his witches. The witch scare died down, past some unknown point, but likely earlier than now expected, the bulk of the victims of the stake were left to the innocent and the witches' own chosen scapegoats. Beyond that need for discretion was the need to find ever new, ingenious, and complicated ways to waylay and corrupt a populace that was continually growing savvier and more educated by the decade.

That formerly mentioned moral slide may have occurred all on its own, but the levels that it reaches and the ways that people are led, or driven, to act on the worst impulses that it represent can, and is, tweaked by the slyest of witches. There is a new, more ambitious, agenda at work. It is hard to nail down what it is precisely, but it is insidious, widespread, and broken down into a vast array of cogs that work as a monumental mechanism of evil the likes of which hasn't been seen before. Trying to chip away at those cogs is hard work and there are multiple redundancies. There are whispers and innuendo in certain circles about the nature of the witches' endeavours. The most frightening hypothesis put forward about this Machiavellian project is that even the attempts to derail it at every turn are pushing it toward its nefarious goal.

Mood: sly.

Music: Everything Louder Than Everything Else by Meat Loaf and Pure Evil by Iced Earth.

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Horror Witches Rising

I started writing this first new entry after the May hiatus without even looking to see if I had already written an entry for this date. I was last writing about role-playing games and magic systems. I may return to it, but first I wanted to inject some horror back in and make this an entry true to the Horror on Hump Day nickname. I came back to the topic of magic again recently when I started considering a project about witches. The type of project doesn't matter since it may never happen in that format, and if it does it will be low on the work priority scale below even my slow burning role-playing game work. Before I get to the witchy goodness I want to point out the great thing about RPG work is stories that don't work out, or I don't have time for, work well as scenarios in an RPG session(s) and the research for the games works just as well for stories.

Witches. I'm talking about nasty, vile-hearted, selfish, devil-worshipping witches, horror witches. The wart-nosed old hag comes to mind, but is actually of less use. Really, when supernatural events start happening and children are found ritually slaughtered everyone looks to the hag. Let's also ditch the broom unless this is a historical setting. Honestly, flying on a broom has become something done by cute girls in countless anime. Looking back at historical legend let's also ditch crazy things like houses with chicken's legs running around. Now, again, horror witches. They may sign a pact with the Devil, including giving up their first born, or they may be unaffiliated and truck with whatever forces they wish if any at all. Familiars are good, but they need some consideration regarding their apparent connection to the witch.

In a story a character, male or female--witchcraft isn't sexist--with an animal hanging around all of the time is a dead giveaway. To keep the witch's identity a secret distance events involving the familiar. The witch might be revealed when the beastly companion feeds, using the witch's teat of course. Somewhere on the witch is a superfluous nipple--aureole not included--or even a short tentacle upon which the familiar suckles blood and magical energy, part of the witch's soul, or some other intangible. Here's an odd bit of folklore I discovered when researching for "You Accused the Wrong Woman" for Killing Time - Horror E-Rag™. One method of detecting a witch involved making a cake using urine from a victim of the witch. The victim would see the witch after smelling the vapours from the hot cake, or if not then, after having eaten some of the witch cake.

Mood: enchanted.

Music: Witch Hunt by Stratovarius and Season of the Witch by Vanilla Fudge.

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Can You Hear Me Now?

The cross-generation planning method of harnessing the game-changing power of immortality as noted last time requires good communication. The kind of communication that it requires is about the quality of the communication. It doesn't matter the quantity if it is concise and clear. It also makes no difference in regards to time if preservable writing is an available option in the setting. What does have some impact is the timing. A small impact in this case, but on its own communication times can be their own game changer. As with everything else communication time can be enhanced either by technological or fantastical means. Understanding just how it changes things can be something of a challenge. It is, right now, something still being figured out for real.

Most fantasy settings are set in a time where messages can be relayed by horse riding couriers. There can also be carrier pigeons--the Egyptians and Persians first used them 3,000 years ago. This was a huge improvement over people made to run messages far away carrying only a verbal message and making the use of multiple runners along a longer route. Since this is a fantasy setting, and not a strictly historical one, magic comes into play. It would start with magical carrier pigeons that could fly faster and longer. It would end with the scrying version of video conferencing at the other end of the spectrum. In between are tomes that writing appears in from another copy, telepathic style messages, oracles that know things from far away lands, and lesser deities as couriers.

Information is power when it is put to use. Using it in a timely manner is an important way to capitalise on it. It doesn't matter whether it is intelligence for battlefield planning, trading information, spy work, or organising research. Good speed for information flow negates the importance of distance. It makes the world a smaller place and that changes the dynamic of many things. It also should involve more direct communication, cutting out middlemen who can distort the message. This is because the fast communication form should also be as easy as it is fast, which does add some constraints in the fantasy settings. It is only fitting that the magical method of fast communication is not only fast in passing the messages back and forth, but also fast to initiate.

Mood: vertical.

Music: Communication Breakdown by Led Zeppelin and Legions by Stratovarius.

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